Conclusion  

     

Conclusion

 


"[Los Angeles should be] one of the most open books in the history of city-making....[but] there are many who do not wish to read the book, and would like to prevent others from doing so; they have soundly-based fears about what might happen if the secrets of the Southern Californian metropolis were too profanely opened and made plain. Los Angeles threatens the intellectual repose and professional livelihood of many architects, artists, planners, and environmentalists because it breaks the rules of urban design that they promulgate in works and writings and teach to their students. In so far as Los Angeles performs the functions of a great city, in terms of size, cosmopolitan style, creative energy, international influence, distinctive way of life and corporate personality...to the extent that Los Angeles has these qualities, then to that same extent all the most admired theorists of the present century, from the Futurists and Le Corbusier to Jane Jacobs and Sibyl Moholoy-Nagy, have been wrong. The notion that certain densities of population, and certain physical forms of structure are essential to the working of a great city...must be to that same extent false."
    --Reyner Banham. Los Angeles: Architecture of the Four Ecologies (1971).


 

 

 


"It was three years ago that he told me that, and we have lived in Los Angeles since. Many of the people we knew in New York think this a curious aberration, and in fact tell us so. There is no possible, no adequate answer to that, and so we give certain stock answers, the answers everyone gives. I talk about how difficult it would be for us to 'afford' to live in New York right now, about how much 'space' we need. All I mean is that I was very young in New York, and that at some point the golden rhythm was broken, and I am not that young any more. The last time I was in New York was in a cold January, and everyone was ill and tired. Many of the people I used to know there had moved to Dallas or had gone on Antabuse or had bought a farm in New Hampshire. We stayed ten days, and then we took an afternoon flight back to Los Angeles, and on the way home from the airport that night I could see the moon on the Pacific and smell jasmine all around and we both knew that there was no longer any point in keeping the apartment we still kept in New York. There were years when I called Los Angeles 'the Coast,' but they seem a long time ago."
    --Joan Didion, "Goodbye to All That" (1967). in Slouching Towards Bethlehem.



 


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